Showing posts with label tohoku. Show all posts
Showing posts with label tohoku. Show all posts

Monday, April 11, 2011

SuperDeluxe


Informational/benefit event #webya311 at club SuperDeluxe in Roppongi (the place where the Pecha Kucha format was started). Orientations for NGO Peace Boat drawing 250-300 volunteers. Peace Boat is providing two to three thousand meals/day in Ishinomaki, and digging out a lot of mud. Obviously, our support is needed. Come to Pecha Kucha: Inspire Japan, in Chicago Saturday the 16th at Martyr's 1:30 pm! More information, and AFH long-term plans, can be found at Architecture for Humanity – Chicago.

Monday, April 4, 2011

How best to help?

If you're looking for ways to assist people who are suffering as a result of the Tohoku quake and tsunami, you can find a healthy online debate about how, and even whether, to act. Common sense tells us to resist the heart's desire to physically go to the scene; better to give funds to those who know how to organize and manage the relief effort.
An organization that knows how to respond is the Red Cross. Some have expressed concern that not all funds donated in the U.S. will reach Japan. Donations to the Japanese Red Cross Society will be allocated 100% in Japan.
Keep in mind that the Red Cross typically directs its efforts in two ways: first, they send teams to the area to provide emergency food, supplies, medicine and shelter. Second, the Red Cross makes cash donations to the victims. In ensuring this second process is equitable, the Red Cross takes time to understand the situations of individuals. Do they do the second task quickly enough? A discussion can be found in yesterday's Los Angeles Times.
The GiveWell Blog has published an in-depth study of the relative merits of giving to various agencies, and concludes giving to Doctors without Borders is one of the best ways to ensure funds result in direct benefits to victims.
Peace Boat is a Tokyo-based nonprofit that has experience in organizing relief efforts, and is accepting donations as well as volunteers in support of its work in Miyagi prefecture.
Rebuilding and recovery will take years. Architecture for Humanity focuses on long-term, carefully considered design and construction, and publishes its objectives and plans, so it can be shaped and perfected over time by comments and suggestions. AFH has a team and a preliminary plan in place. If you are in this for the long haul, this is a great place to consider donating.

Thursday, March 31, 2011

Pecha Kucha: Inspire Japan April 16


Pecha Kucha Chicago will participate in the special Saturday worldwide edition of Pecha Kucha's 20x20 event in support of Japan. Sounds like it will be an afternoon all-ages get-together bringing in the usual suspects in our favorite place, Martyr's. Can't wait!

Sunday, March 27, 2011

Of Gods and Men

Our commitment to a place, a people, or a person is tested when something we cherish (our own well-being, for example) is endangered. At these times choice is not a freedom but a burden. Too often this burden is dispensed with, swiftly and efficiently, because the choice for self-preservation (physical, emotional or financial) can be justified, easily explained as being in others' interest, not just our own. The burden: honestly evaluating the alternatives, succumbing neither to mindless self-sacrifice or rationalized retreat. It's a tough test, most recently felt by some in Tokyo and the Kanto region of Japan. None of us should presume to judge others in this regard.
Few films explore this realm with honesty, and it is difficult for directors, writers and actors to avoid sentimentality and melodrama in telling such a story. That is why "Of Gods and Men" must be seen. In a narrative based on a true story, eight Cistercian monks struggle, individually and as a community, with this choice when their north African monastery is caught between a government they believe corrupt, and a mounting tide of murderous religious fundamentalism. One can easily postulate reasons for leaving this situation, but one must see the film to understand the case for remaining.
Christian religious men, their lives are fully integrated with the Muslim community they serve and that has come to depend on them. At one point, when the burden weighs heavily on them, and they are not ready to accept the possible consequences of remaining (their own kidnapping or death not the least), one of the monks tells the village elder that they, the monks, are nothing more than "birds on a branch." The elder's wife, standing in the doorway listening to this conversation, corrects him: "You are the branch and we are the birds."
Understandable fear, along with sincere reflection on the reality of religious vocation, and concern for the villagers all move the monks emotionally as the violence moves closer. We are given a model of leadership in the character of Christian, and we are allowed to observe the dignity of middle-aged and elderly men grappling with the everyday vicissitudes of aging in the midst of larger turmoil. The film is perfectly paced, allowing us time to process the dilemmas faced by these men. Near the film's conclusion, we are allowed a wonderful sequence of closeups as they share a glass of wine and listen to a tape of Swan Lake. Hope you see this movie, there is a reason it won the Cannes Grand Prix. It's at the Landmark Century in Chicago this week.

Hersey and Haruki

Coverage of the events in Japan have made much of the unique Japanese character in response to a crisis. Resilience, orderliness, extraordinary cooperation and stoicism in the face of an unprecedented disaster barely begin to describe it. More than 10,000 confirmed dead, a quarter million living in temporary evacuation centers, the havoc of tsunami inundation, scores of unnerving "aftershocks", and the uncertainty of radiation leaks: it can only be compared to the devastation of war, and yet we see the Japanese bear it with equanimity.

This is but a single facet of the complex humanity of the Japanese; it is well worth the effort to try to gain a better understanding. So for those who like to read, here are a couple of modest suggestions.

In 1946 the New Yorker devoted an entire issue to John Hersey's 30,000 word essay "Hiroshima"; afterward it was published as a book and amended in 1985 with followups on the people whose experiences were narrated. This is the only time I have finished a book and said, simply, "everyone should read this book."
"Hiroshima" matter-of-factly tells the stories of six people's lives immediately following the first atomic bomb detonation in 1945. Without citing statistics or moralizing, Hersey conveys the suffering experienced by these people, and their humanity in coping with it. Discussions of the book don't often address the culture or character of these survivors (not all of them are Japanese), but the tone, the "voice" of their recollections weaves a context for understanding their outlook.

Underground: The Tokyo Gas Attack and the Japanese Psyche
A half-century later Haruki Murakami followed, as did Hersey, the lives of ordinary people; in this case the victims of the 1995 Aum Shinrikyo terrorist release of deadly sarin gas in the Tokyo subway. Unlike current media coverage of this month's events, "Underground" does not over-interpret or attempt to draw overt conclusions. Rather, Murakami the novelist and short-story teller, is in this non-fiction book within the best tradition of modern Japanese writers like Natsume Soseki and Jun'ichiro Tanizaki: he allows the characters' words and actions to speak for themselves. In interviews he asked the affected commuters and office workers to tell a bit of their background before getting to the details of March 20, 1995, thus establishing individual personalities that resist generalization. Through the telling of story after story (some of the victims' paths crossed that day), a picture emerges of Japanese people and their response to crisis. It is a more nuanced picture, well worth the time to understand. Murakami also wanted to balance the media's sensational coverage of the terrorist cult, by bringing narrative weight back to the victims. Those who lament today's media focus on radiation issues at the expense of the humanitarian crisis may hear a familiar theme.
Readers of Underground will be reminded of the evolution of technology. Immediate treatment was necessary to minimize nervous system failure. Before smartphones, before internet, email or twitter connectivity the key to effective treatment of the over 5,000 victims of the mysterious symptoms that day was Dr. Nobuo Yanagisawa. One of the few who understood the poison's effect on the nervous system, Dr. Yanagisawa happened to see the unfolding crisis on television and recognized the earmarks of sarin. He then led a team who transmitted the key data for diagnosis and treatment to dozens of Tokyo hospitals via the communication device known as the fax machine